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In Hemingway's Fetishism, Carl Eby demonstrates in painstaking detail and with stunning new archival evidence how fetishism was crucial to the construction and negotiation of identity and gender in both Hemingway's life and his fiction. Critics have long acknowledged Hemingway's lifelong erotic obsession with hair, but this book is the first to explain in a theoretically coherent manner why Hemingway was a fetishist and why we should care. Without reducing Hemingway's art to his psychosexuality, Eby demonstrates that when the fetish appears in Hemingway's fiction, it always does so with a retinue of attendant fantasies, themes, and symbols that are among the most prominent and important in Hemingway's work.
- Sales Rank: #2347989 in Books
- Published on: 1998-11-24
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .87" w x 6.00" l, 1.15 pounds
- Binding: Paperback
- 382 pages
Review
Eby stands out as a particularly fine writer who has brought unfamiliar Hemingway materials together in creative conjunctions to illuminate the classic works. His critical savvy and sense of humor are very refreshing.
Interest in Hemingway s psychosexuality and in the formation and transgression of gender identities as depicted in his fiction are central to Hemingway biography and criticism right now. I am personally extremely skeptical about the value of the psychoanalytic method. So, I approach Eby s book as a resisting reader, and what I like best about it is his sensitivity to my resistance and his own ability to look self-critically at his method. His introduction, an apologia for his method in which he reviews, with great good humor I might add, the charges commonly brought against psychoanalytic interpretations both of authors lives and their literary output, is especially excellent. Eby s willingness to address my concerns before they arise, or as they arise, and to show that he has thought carefully about the limits of his approach, and accepts no theory without questioning, I found very persuasive. Susan F. Beegel, Editor, The Hemingway Review
Eby peels back layer upon layer of Hemingway s work, methodically analyzing the manifest and latent content of each layer, much as if he were an archaeologist scouring the sedimentary deposits to locate that bedrock foundation upon which the idiosyncrasy rests, thereby reconstructing a much more substantial understanding of Hemingway than has been previously discovered. Gerry Brenner, University of Montana"
About the Author
Carl P. Eby is Assistant Professor in the Department of English at the University of South Carolina at Beaufort.
Most helpful customer reviews
8 of 8 people found the following review helpful.
"bold ... daring ...--a persuasive and even a moving book"
By A Customer
"Carl Eby's _Hemingway's Fetishism_ ... is a bold book, a daring book--a persuasive and even a moving book.... Eby attempts nothing less than a complete reinterpretation of Hemingway's life and work in the context of his basic hypothesis....
The heart of Eby's project resides in his effort to give a synthetic account of Hemingway's fascination with hair. Eby is not, of course, the first to notice this preoccupation. But he is the first to try to understand its full psychological complexity, as well as to trace the substitutive logic by which Hemingway moves from meditations on hair to, say, fantasies about cats, the actual slaughter of rabbits, dreams about lions, a desire for pierced ears, and a wish for the dark pigmentation of racially marked skin. For Eby, each of these represents a displaced version of the primal fetish, hair. His book sets out to explore this proposition by showing, first, _that_ Hemingway was a fetishist and _how_ he came to be one; and second, why it was that hair in particular became his fetish of choice....
Eby makes [his] theoretical argument cumulatively over several chapters. He draws not only on Freud's classic work, but on more recent theories by Joyce McDougall, Phyllis Greenacre, George Zavitzianos, D. W. Winnicott, and especially, Robert Stoller. In doing so, he makes provocative claims about the relations between fetishism, melancholia, and transvestism; about the tendency of male perversions to bolster conventional masculinity, despite appearing to undermine it; about the inverse relation between artistic creativity and fetishistic fixation; and about the fetish object's link to what Winnicott calls the 'transitional object.'
But more impressive than this theoretical sophistication is Eby's firm commitment to the expressive character of literature--to the proposition that literature offers psychological insights that are multifaceted and theoretically irreducible. His readings seek to grant Hemingway's works their idiosyncratic forms of knowledge. He does not, accordingly, merely use fetishism as a lens through which to read Hemingway's texts, but interprets Hemingway's fiction in a way that illuminates and renders more complex our understanding of the psychology of fetishism."
--Greg Forter, _The Hemingway Review_
8 of 9 people found the following review helpful.
"...a scholarly book that reads like a detective mystery."
By A Customer
"Eby's knowledge of psychoanalytic and gender theory is extraordinary; in addition he has read all of Hemingway's published and unpublished writings.... Indeed, he seems to have a concordance-like memory of Hemingway's every word....
The book offers for the first time a theoretically sophisticated and comprehensive study of Hemingway's gender instability, erotic attachment to hair, narcissism, latent homosexuality, castration anxiety, and split toward women.... Hemingway's Fetishism is an extraordinary book ... written with verve, wit, and good humor. [Eby] is always self-critical of his methodology and suggests other explanations for the ones he provides, thus convincing us that he can see a variety of critical perspectives. Eby demythologizes Hemingway without dehumanizing him or dismissing him, and despite his heavy reliance upon psychoanalytic theory, he avoids the language of psychobabble. He also avoids pathography, arguing instead that the childhood events that damaged Hemingway's psyche may have contributed to his ability to identify with others. It is doubtful that any study published in the next few years on Hemingway will be as insightful and controversial as this one.
--Jeffrey Berman, Psychoanalytic Books
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